| By Josh Eidelson - Feb 8th, 2007 at 1:23 am EST |
| Also listed in: Campus Progress Blog |
Yale is finally taking the goddamn thing down. But god forbid you should think that Yale's leaders feel regret about leaving it hanging there the past few decades:
Since the portrait is confusing without the explanation [that Elihu Yale did not own slaves], I have decided it would be prudent to exchange that portrait of Elihu to another one in the University’s collection,” Lorimer said.
The quote, from Yale's VP and Secretary, leaves you with the sense that Yale is taking down the portrait, which involves adjusting the moldings around the mantelpiece around the painting (the classic explanation of yesteryear for why the thing had to stay up), because it's easier than putting up a plaque explaining that the man was not a slave owner. But it's a portrait designed to honor Elihu Yale by painting a chained Black man at his feet. It honors him with the imagery of White supremacy - an ideology of which the colonial Governor and the university named for him have been no small beneficiaries.
It's a painting that belongs in a museum. It has no place hanging over Yale's president as he meets with the Yale Corporation to try to chart a course for the university. It never did. (That's the difference between engaging and exulting the problematic)
To suggest that the racist graphic is being taken down to avert misunderstanding is to make abundantly clear that you don't get it.

Comments are closed for this post.
While you might be pushing it a bit far in the rhetoric of imputing vaguely sinister/unfeeling motives to the Yale administrators, your basic point is right -- this belongs in an art gallery, not where the decision-making body gathers.