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No End in Sight
The first film of its kind to chronicle the reasons behind Iraq’s descent into guerilla war, warlord rule, criminality and anarchy, No End in Sight is a jaw-dropping, insider’s tale of wholesale incompetence, recklessness and venality. The film provides a candid retelling of the events following the fall of Baghdad in 2003 by high ranking officials such as former Deputy Secretary of State Richard Armitage, Ambassador Barbara Bodine (in charge of Baghdad during the Spring of 2003), Lawrence Wilkerson, former Chief of Staff to Colin Powell, and General Jay Garner (in charge of the occupation of Iraq through May 2003) as well as Iraqi civilians, American soldiers, and prominent analysts. No End in Sight examines the manner in which the principal errors of U.S. policy – the use of insufficient troop levels, allowing the looting of Baghdad, the purging of professionals from the Iraqi government, and the disbanding of the Iraqi military – largely created the insurgency and chaos that engulf Iraq today. No End in Sight dissects the people, issues and facts behind the Bush Administration’s decisions and their consequences on the ground to provide a powerful look into how arrogance and ignorance turned a military victory into a seemingly endless and deepening nightmare of a war.
Gunner Palace
Gunner Palace presents a thought provoking portrait of a dangerous and chaotic war that is personal, highly emotional, sometimes disturbing, surprisingly amusing ... and thoroughly fascinating. Filmmaker Michael Tucker, who lived with 2/3 Field Artillery, a.k.a. "The Gunners" for two months, captures the lives and humanity of these soldiers whose barracks are the bombed-out pleasure palace of Uday Hussein (nicknamed Gunner Palace), situated in the heart of the most volatile section of Baghdad. With total access to all operations and activities, Tucker's insider footage provides a rare look at the day-to-day lives of these soldiers on the ground -- whether swimming in Uday's pool and playing golf on his putting green or executing raids on suspected terrorists, enduring roadside bombs, mortar attacks, RPGs and snipers.
Voices in Wartime
Voices in Wartime is a documentary that sharply etches the experience of war through powerful images and the words of poets – unknown and world-famous. Soldiers, journalists, historians and experts on combat interviewed in Voices in Wartime add diverse perspectives on war’s effects on soldiers, civilians and society. In Voices in Wartime, poets around the world, from the United States and Colombia to Britain and Nigeria to Iraq and India, share their views and experiences of war that extend beyond national borders and into the depth of the human soul. The film uses poetry that moves us to the emotion of war explained to us by soldiers, journalists and a doctor who have experienced the effects of combat firsthand. The poetry illuminates the reality. And the documentary reality helps us to understand the poetry. Together they sear the experience, emotions and sacrifices of war into our hearts and minds.
The War Tapes
In March 2004, just as the insurgent movement strengthened, several members of one National Guard unit arrived in Iraq with cameras. Straight from the front lines in Iraq, The War Tapes is the first war movie filmed by soldiers themselves. It is Operation Iraqi Freedom as filmed by Sergeant Steve Pink, Sergeant Zack Bazzi and Specialist Mike Moriarty and other soldiers. While they battled unconventional forces, they recorded events that conventional journalists have been unable to capture. They mounted tripods on gun turrets, inside dashboards and used POV mounts on their Kevlar helmets and vests. They filmed all of the footage in Iraq, which amounted to over 800 hours of tape. In the end, The War Tapes is a complex, heartbreaking, and completely unique opportunity for millions to witness first-person experiences of war—a modern-day Odyssey—and the experience of homecoming.
The Ground Truth
Hailed as "powerful" and "quietly unflinching," Patricia Foulkrod's searing documentary feature includes exclusive footage that will stir audiences. The filmmaker's subjects are patriotic young Americans - ordinary men and women who heeded the call for military service in Iraq - as they experience recruitment and training, combat, homecoming, and the struggle to reintegrate with families and communities. The terrible conflict in Iraq, depicted with ferocious honesty in the film, is a prelude for the even more challenging battles fought by the soldiers returning home – with personal demons, an uncomprehending public, and an indifferent government. As these battles take shape, each soldier becomes a new kind of hero, bearing witness and giving support to other veterans, and learning to fearlessly wield the most powerful weapon of all - the truth.
The Situation
Combining elements of thriller, romance, and war movie, The Situation, set exclusively in Iraq and the first U.S. feature film to deal with the occupation, dramatizes one of the countless human stories that lie behind the headlines of the current war. When a group of American soldiers throw an Iraqi boy off a bridge in Samarra, the incident sets off a chain of events that exposes the deep rifts among the Iraqis in Samarra and results in yet another cycle of violence between the insurgents and the corrupt Iraqi police. Anna (Connie Nielsen) is an American journalist who decides to write a story about the assassination of an Iraqi leader whom she admires. At the same time, she is pulling away from a relationship with Dan (Damian Lewis), an American intelligence official who thinks the war can be won with hearts and minds, and towards Zaid (Mido Hamada), a young Iraqi photographer who shows her there are people, rather than sides, in the conflict. As she tries to make sense of the half-truths of Iraq, she gets caught up in the violence and finds her life in danger.
Ghosts of Abu Ghraib
Wielding startlingly candid interviews with perpetrators, witnesses, and victims, Ghosts of Abu Ghraib provides an inside look at the abuses that occurred at the Iraqi prison in the fall of 2003. Award-winning filmmaker Rory Kennedy explores how, given the right circumstances, typical boys and girls next door can commit atrocious acts of violence. Kennedy begins tracing the path to Abu Ghraib with 9/11. Facing a whole new war on terror, the Bush administration justified intelligence gathering at any cost. The administration's decision to ignore the rules of the Geneva Conventions laid the groundwork for the abuse. The result- heinous acts of torture heretofore associated only with the world's most repressive dictatorships.
Last Letters Home
The soldiers' last words. Their families' last memories. Our nation's lasting gratitude. This Veterans Day, HBO and The New York Times, in association with LIFE Books, present a poignant tribute to the fallen American soldiers who sacrificed their lives in the war in Last Letters Home: Voices of American Troops from the Battlefields of Iraq, read by the families of ten men and women killed in action.
Baghdad ER
BAGHDAD ER allows viewers to experience the physical and emotional toll of war by capturing soldiers and care providers in personal moments amidst intense crises inside the 86th Combat Support Hospital. Located in Baghdad's Green Zone, the facility was formerly the site of an elite medical center for Saddam Hussein's supporters. Thanks in part to the skill and dedication of trauma center teams like the one depicted in the film, wounded troops in Iraq have a 90 percent chance of survival - the highest rate of war survivors in U.S. history. The selflessness and dedication of those caring for wounded Americans and Iraqis stands in sharp contrast with the chaos of war.
Iraq for Sale: The War Profiteers
This is the story of what happens to everyday Americans when corporations go to war. Acclaimed director Robert Greenwald takes you inside the lives of soldiers, truck drivers, widows and children who have been changed forever as a result of profiteering in the reconstruction of Iraq. Iraq for Sale uncovers the connections between private corporations making a killing in Iraq and the decision makers who allow them to do so.